The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

The simple task of babysitting a lounge singer's wife turns into a nightmare for Ginger, Sean and Ricky, three unsuspecting film characters that become self-aware of their own existence in a fictional movie. With an eager determination to defy the writer's outrageous ideas, the characters must quickly think of ways to break out of their predestined roles and into a real and unpredictable narrative of their own making. But when the film's director and producer decide to abandon their current cast and complete the project with an alternative approach to the material, Sean, Ricky and Ginger have some plot twists of their own for the powers that be in this surreal, outlandish comedy.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
The Night Doctor achieves telling an original story in which the pace accelerates progressively while supported by dark aesthetics.
Korean culture shines in this Canadian export.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.