Crooked Lines (2018)

Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.

Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.

A family drama is woven with quiet yet powerful forces of words and nature.

When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.

Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.

I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.