'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

An overbearing mother who lives with her son in a secluded crocodile farm spirals out of control when her son sees the outside world and falls for a girl for the first time.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
A dark film in the tradition The Brother’s Grimm.