
Don Armando de la Peña, is the owner of a ranch located in a plain of the mountains of the province of Córdoba, administered by the loyal and honest Pedro Oria, a model of old Creole who lives with his wife and children Juan, Carlos and Maria. The former is lazy, gambling, and bad-tempered, while Carlos inherited the virtues of his father. Don Armando is not satisfied with his children. Mercedes, his favorite daughter, likes life in the big city, she is flirtatious and superficial even when she is in the ranch; she has an attitude of contempt towards Carlos, even after his life is saved, but that attitude hides a nascent feeling of love. His brother, also named Carlos, is what could be described as a bad person. With these characters various dramatic episodes unfold.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.