How to Make a Misogynistic Movie and Call it Feminist
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.

Simon Willerton's suicide in 1990 brought to six the number of young prisoners who hanged themselves in British prisons in just over six months, prompting public debate over conditions in remand prisons like Armley where overcrowding was so severe that no new inmates could be admitted. Simon faced a burglary charge over the theft of a hot-water bottle from an unoccupied flat. Less a hardened criminal than an immature, gawky teenager who never fitted in, Simon and his tragic death inspired this teleplay.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
This romance movie has strong representation of Taiwanese people.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).