It's 'A Loud House Christmas'!
This holiday movie serves as the prequel to the TV series The Really Loud House.

Mystery writer Kosaku Asahina scores yet another scoop in a case that occurred in the streets. He even personally conducts investigations and frequently makes these cases the basis for his own novels. It maybe because his late father was a scholar that he is cool, but brims with curiosity and action. One day, Kosaku is facing the computer in his living room and writing a new novel. The novel is based on the baffling case of a female who fell to her death in Setagaya in the past. Kosaku had personally conducted interviews and inspected the scene of her death, but still cannot get to the truth. Then a letter addressed to his father Konosuke who died more than 20 years ago, is delivered to Kosaku. The name of the sender is the female whose mysterious death from a fall, is the subject of Kosaku’s new novel.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.