'You People' is as Glossy and Uneven as its Predecessors
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.

Latest example of Spanish "neokinki" cinema, which was popular in the late seventies/early eighties, right after the end of Franco's dictatorship. Destructured families of low social classes are the perfect environment for delinquency, drugs, violence and broken lives.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
So. You’ve been quarantined. For many of us in the midst of the coronavirus outbreak, we find ourselves locked in our houses, with not much to do. Here's a list of 19 movies you can catch up on!
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction