
A documentary that explores the unexpected culture clash in Creede, Colorado—a remote mining town that invited a theater company in 1966 to revive its economy. What followed was a decades-long negotiation of identity, values, and belonging, as queer artists and progressive ideas took root in a place proud of its conservative heritage. With personal stories, tense town meetings, and reflections from original members like Mandy Patinkin, the film reveals how this tiny town became a powerful, poignant mirror of America’s larger divisions—and a testament to the complexity of living side by side.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
The Last Duel is about rape. Although the film delves into rape culture in medieval Europe, there are many striking similarities to modern rape culture.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.