A group of hip friends gather at a Gothic castle owned by a wheelchair- bound older relative of one of the girls. One couple in the group, unbeknownst to the others, is smuggling heroin in some Chinese artifacts the protagonist has brought back from the Orient to give to her elderly relative. Meanwhile the deranged uncle of the protagonist, who supposedly killed the protagonist's mother (his own sister) and cut out her eyes, is wandering the catacombs spying on everyone. When one of the guests is murdered and her eyes subsequently disappear, suspicion naturally falls on the mad uncle. But is he being set up?
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
It's sexy, regardless of what else is going on.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
