Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

A sixty minute special of the Crayon Shin-chan anime featuring a crossover between Shin-chan and the live action tokusatsu series Kamen Rider Den-O, as well as three normal summer-themed episodes. The Den-O characters are drawn in the style of Shin-chan's regular characters. Another thing of note, inbetween commercial breaks, clips of a live action Shin-Chan onboard the Den-Liner or with characters from the Kamen Rider Den-O Series were shown. In most of these scenes it involves the Owner giving Shin a speech of sorts or making Shin feel uncomfortable.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
The character of Mulan is one of Disney’s best heroines. She’s brave, kicks butt, and has a kill count. What other Disney character has killed hundreds of Huns by crushing them with an avalanche? No one.