"Get Out"
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.

The Crater is a land of underdogs, indistinct space, constant noise. Rosario is a street vendor, a gitane of village fairs, who gives away soft toys to whoever draws a winning number. The war he has declared against his own destiny has the immature and indolent body of his thirteen-year-old daughter: Sharon is pretty and can sing, and in this hotbed of stopgaps and desperate living, she’s his weapon for survival. But success becomes an obsession, and talent becomes a punishment.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
'A Wrinkle In Time' combines fantasy and science fiction to bring the classic story to life.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.