The Good Deeds in ‘A Good Person’
‘A Good Person’ makes it clear that forgiveness is hard.

A taxi driver is ready to raise an infant abandoned in his cab in Beijing.
‘A Good Person’ makes it clear that forgiveness is hard.
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With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
It’s dark, uncomfortable, and there are things that don’t make sense.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
A smashing sequel to the first Sonic the Hedgehog film that also brings back elements from the popular video game series.