Cowbell 

Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.

'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.

'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.