Mia Stone is faced with an eerie supernatural opportunity when a strange encounter with an eccentric man gives her a second chance at saving her company, marriage, family, and future.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
