What Netflix’s 'Daredevil' Gets Right and Wrong About Blindness
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.

Reveals how Australia's first people are still suffering from social oppression, with many living on reservations where alcoholism is rampant and unemployment the major occupation. Aboriginal land rights are a central theme: Miller clearly demonstrates the contrast between the attitudes of European Australians, who see the land only as a resource to be mined, farmed, grazed and built upon, and Aboriginal Australians, who regard the land as sacred. Archival footage compares the original lifestyle of Aboriginal Australians to their current pitiful condition, and shows how European settlers attempted to "civilise" mixed blood children by taking them away from their parents and enrolling them in boarding schools.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
The initial reaction and review of Netflix's newly released romantic comedy featuring Haley Lu Richardson and Ben Hardy. Spoilers included!
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.