‘Thunderbolts*’—A Spark of Hope in Dark Times
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.

Vera is trapped in the chilling grip of Cotard's syndrome, a rare neurological disorder that convinces her she is dead. She perceives the world as a decaying, lifeless realm, a reflection of her own internal state. In her delusion, humanity itself has perished, leaving her a solitary phantom in a desolate landscape. Within this morbid reality, a flicker of something unexpected arises: a fragile, almost imperceptible hope. It could be a memory, a fleeting sensation, or even a twisted manifestation of her illness.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'