Why Joel Coen’s ‘The Tragedy of Macbeth’ is the Best Version
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.

In a forgotten village of the Yucatán, Lena, a 68-year-old widow, crosses paths with Leon, a 62-year-old Mayan guardian of nature’s secrets and spirits. Lena finds an unexpected companion in Leon. Despite their differences and seemingly opposite worlds, a deep connection forms between them—one that will bind them until death. In his new film, Germinal Roaux, one of the most unique voices of contemporary European cinema, delivers a philosophical story about aging and the decay of the body. Above all, it’s about solidarity and the small gestures of love that give meaning—and dignity—to our existence. True to the aesthetic codes established in his previous works, Roaux’s film, shot in black and white and unfolding with a ritualistic rhythm that mirrors the slow passage of time at the twilight of life, speaks poetically and with genuine emotion about the most essential bond that connects us: love.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.