"I Want Your Sex" is the Erotic Thriller We Deserve
The Olivia Wilde renaissance is upon us.

Correspondences are fragments of life seized in the flesh of the great History. The one between Pablo Picasso and Jean Cocteau explores forty-eight years of a complex and tormented artistic friendship. Through their letters, the film unfolds the story of a talent and a genius, a unique story that sweeps across the artistic and political spectrum of fifty years of the twentieth century: cubism, Russian ballets, Guernica, the Occupation and the purge, Dora Maar, Jean Marais, Cocteau's film poetry, Picasso's ceramics and the Mediterranean sky.
The Olivia Wilde renaissance is upon us.
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
‘Babylon’ is an exhilarating journey one has to brace themselves for
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch