The Drama Continues in 'Tall Girl 2'
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
Corps aboli
The purpose of the film is to go beyond the notion of the body as a system of functions, symptoms and reflexes that try to delimit the whole body. The body, represented here with all its norms, confronted with itself in a space devoid of causal references, moves towards the abolition of its image and the springing of its inner source: it is the luminous nucleus of the human body.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The purpose of the film is to go beyond the notion of the body as a system of functions, symptoms and reflexes that try to delimit the whole body. The body, represented here with all its norms, confronted with itself in a space devoid of causal references, moves towards the abolition of its image and the springing of its inner source: it is the luminous nucleus of the human body.
Cast
Articles You May Like
A Lesson in Self-Fulfillment: An Incluvie Film Festival Review of ‘My Only Wish’
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
'The Woman King': Historic, Majestic, and Empowering!
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
Godzilla Tier List: Ranking the King of the Monsters
A complete ranking of every Godzilla movie, including shared universe films.
Review: The Roses – Marriage and the Sweet Taste of Revenge
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.