"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

A group of lottery employees plan the biggest fraud in Mexican history using a powerful weapon: the magic of television.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
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The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.