Early to work one morning, Aiden happens upon illegal activities purveyed by his employer and is drawn into a brutal fight for his life and the safety of his family.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
This remake of the Disney Channel Original Movie of the same name brings a strong representative cast.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
