Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

To mark his passage into manhood, young Ilias is gifted a magical bow by his father and embarks upon a journey into the wilderness to rid the land of evil, all the while battling the witch Ocron, who wishes to steal the bow for her own nefarious ends.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.