What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Following the great explorers’ footsteps, “Congo River” takes us up one of the world’s greatest river basins, from its mouth to its source. All the way along its 2,716 miles, we pass places that testify to the country’s tumultuous history, and encounter the ghosts of those who shaped its destiny: Stanley, the explorer, Leopold II, the colonizer, Mobutu, the despot. We also cross paths with an entire people – boatmen guiding their dugout canoes, fishermen, traveling salesmen, military personnel and rebels, women and children – searching for light and dignity.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.
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Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.