'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

A feature film that traces the 50-year journey behind Confessions of Felix Krull, revealing the writer’s hidden struggle with his homosexuality. Though a literary superstar with a polished, upper-class façade and a married life with six children, Mann’s diaries expose an insecure man suppressing deep desires. The film follows Mann’s creative and personal exile—from Eltville to Paris and Lisbon—using archival letters and diary entries alongside dramatized scenes. It blurs the lines between Mann and his seductive alter ego Felix Krull, both masters of deception navigating identity, longing, and survival amid exile and political upheaval. This hybrid documentary unveils the fragile, often hidden man behind the myth.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.