A daytime soap opera star has to deal with his sexist ideas when he falls for his new co-star, a woman who seemingly follows his manly ideas about dating.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Dead to Me Season 2 pulls together elements of comedy, drama, romance, and thriller to craft this truly gripping series.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
