Gianna Amicucci works in the house of the head of her hometown police force and enters the academy with a kickback from him. She is a beautiful woman (she generously sheds clothes during the film) and has to overcome her male colleagues prejudices, but she gains their respect through a series of brilliant operations.
Michele Massimo Tarantini
Director
Edwige Fenech
Gianna Amicucci
Mario Carotenuto
Commissario Antinori
Giuseppe Pambieri
Alberto Moretti
Francesco Mulè
Alfredo Amicucci (padre di Gianna)
Michele Gammino
Cecè
Gastone Pescucci
Tonino
Alvaro Vitali
Tarallo
Riccardo Garrone
Federico Innocenti (detto: Borotalco)
Gianfranco D'Angelo
Onorevole Mannello
Gigi Ballista
Questore Moretti
Jimmy il Fenomeno
Rock Singer
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Despite this genre not being a new one, The Novice offers a fresh perspective with its study of performance anxiety
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.