Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Compilation, 12 instants d'amour non partagé poster

Compilation, 12 instants d'amour non partagé 

Last June, I encountered Arno, a twenty-year-old man, with whom I immediately fell in love. To be sure that I’d see him, although he didn’t share my feelings, I proposed that we work together on a project that became "Compilation, 12 instants d’amour non partagé". Through summer, from June 21 to September 21, I asked him to come to my house daily to listen to music. This music would become the only dialog between us. It would be the commentary of the evolution of my feelings for him, would drive him into a corner, caress and take him by surprise.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Last June, I encountered Arno, a twenty-year-old man, with whom I immediately fell in love. To be sure that I’d see him, although he didn’t share my feelings, I proposed that we work together on a project that became "Compilation, 12 instants d’amour non partagé". Through summer, from June 21 to September 21, I asked him to come to my house daily to listen to music. This music would become the only dialog between us. It would be the commentary of the evolution of my feelings for him, would drive him into a corner, caress and take him by surprise.

Rating:
Genre:Documentary
Directed By:Frank Beauvais
Written By:
In Theaters:
Box Office:

Runtime:41 minutes
Studio:

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger