
The story of a film "Commission" starts in Georgia at some unknown point of time where a heroic, mythical female character has written a book which is being delivered by a courier (the artist herself) to three powerful women. The content of a book is hidden within an existing book – "The Knight in the Panther's Skin" written by Medieval Georgian poet Shota Rustaveli who dedicated the book to 12th century Queen Tamar who at the time brought prosperity and many social changes in the country. Being used as a secret shell or a reference to female power from the past, the freshly embedded content of a book serves as manifesto to the women who haven’t been equally appreciated due to history books still being written from male perspective. The book offers alternative gaze to a world history which can exist only in utopian science-fiction film commissioned and executed by females only.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.