'The Resort': Five Perfect Minutes and Countless Missed Opportunities
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.

Like all laboratory rats, Pedro is a rattus norvegicus for more or less close vivisection. But his name is Pedro, and for a Norwegian rat it's already a problem. From his cage, the rodent observes the wanderings and disappointments of the heterogeneous visitors of his cellar, in the basement of a pharmaceutical lab. Pedro lives his life as an animal ready for all experiments even the most stupid, under the scrutiny of a band of labors and preachers preachers, more worried about whether Pedro is Spanish or Norwegian than to carry out any experience scientist. And Pedro has a certain sense of autonomy. And the musical ear, too.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Personalities clash and tempers fume in a family-run Chicago restaurant
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.