Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Phoenix and Mary recall the events of First Light and the one night that changed their lives forever.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
This is a film that is going to leave some people bored, and some people thrilled.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.