Com a Mão na Massa 

This is not a film, it’s a drop tower.  A drop tower that you don’t get off of for the vast majority of its 106-minute runtime. 

It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love.  It plays on men’s typical (though certainly not universal) inner-conflict

Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.

It’s a cool looking Marvel character right off the page!  He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.  

The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.