'Indiana Jones and the Dial of Destiny' (2023)
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.

The first in a series of Japanese TV movies about a police detective who has adopted the dress and mannerisms of famous American TV detective Columbo, based on a series of novels by popular mystery author Yasuo Uchida. One day, Detective Takemura Iwao, also known as Shinano's Columbo, becomes the first person to discover a dismembered murder case. At first glance, the case appears to be a simple murder caused by a financial dispute between an uncle and nephew, but Takemura, who is suspicious of this view, pursues the culprit with a dogged investigation in order to unravel the criminal's meticulous plan!
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
This fantasy musical movie is an origin story about the title character.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.