The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

As World War II rages on, Villi and Colette are captured and sent to Auschwitz concentration camp. Imprisoned within separate compounds, the lovers must risk their lives to be together again.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.