“The Boys in the Band”
With a cast of exceptional and exclusively openly gay actors, "Boys In The Band" takes on themes of homophobia, racism, vanity, and substance abuse.

In L.A.'s Laurel Canyon, Karen has a dream that her sister Heather is in danger, but Heather seems safe enough, having just moved to a remote spur of the canyon to distance herself from her ex-husband. She's a writer, and she's soon met several men - Marcus, who helps her the day she moves in, neighbors Daniel and Marisa for whom she cooks dinner, and Michael her landlord who cleans her pool weekly. Daniel warns her away from Marcus even as he makes a play for her and invites her to participate in sexual escapades - some enjoyable, some not. Then it becomes clear that Karen's anxiety dream was prescient. Who can Heather trust, and does she figure it out too late?
With a cast of exceptional and exclusively openly gay actors, "Boys In The Band" takes on themes of homophobia, racism, vanity, and substance abuse.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.