"Mothra" Still Rocks
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.

Meet Cody Black. A man who makes a living robbing other people's homes. Coming home early to his girlfriend Keela and his friend Sean, his life makes a turn when a group of men invade his home. Being held hostage with his girl and best friend, Cody learns the captors intentions as he figures a way out of this without involving the police or revealing his own occupation.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.