'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

Blonde JACKSON PRICE is upset with his lack of sex life so he rents 3 movies. The first a 70's flick where the guys get down to it right away. LOGAN KREWE dives face first on to hairy chested EVAN TAYLOR'S huge piece. Evan does the same to Logan's log before tongue diving in his ass crack. They turn in a 69 of ass eating and cock sucking. Evan pops his tool into Logan's love canal for some ass pumping and the two spilltheir boy butter. The second flick is a locker room scene. Daddy looking coach, LANCE GEAR has to have CHAD HUNT'S huge penis. Gear offers up a rubdown and we all know what that leads to. Sex, sex and hot sex! The friendly coach chows down on the whopper with zest. The coach offers up his muscular butt and the good student licks the fuck hole clean. They suck off each other's poles before coach takes it like a man and receives the fatwanker in his hungry ass.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.