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A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities. 

An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.

I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.

Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.