'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Mariah Carey's "All I Want for Christmas Is You" is an iconic family favorite with a multi-talented biracial lead that will remain fresh and magical for years to come.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.