Mirrorball (Miami sFF Review): A Passionate Tribute to La La Land
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

In a small town in the countryside, the election of the president of the restaurant trade association is under way. The two rivals, Dénes Kövi, owner of the elegant Korona restaurant, and Antal Bálint, owner of the staid Makkhetes restaurant, are putting all their eggs in the basket for the title. Taking advantage of this situation, Pál Balázs, who has become the manager of his crippled painter friend, has a portrait commissioned with Dénes Kövi.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
A homeless girl faces depression and uncertainty during the holidays.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
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