Stuck in a loop regarding his career, financial well-being, and ability to reach life’s milestones, an aspiring screenwriter is forced to confront the realities of choosing his passion over practicalities. A tale as old as time for creative workers, this film ponders the choices we make for ourselves and others.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
