Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Clodo poster

Clodo 

Clodo, a gentle mongrel dog, isn't having much luck. His shaggy appearance has earned him the name of hobo. Often scolded by his Parisian masters for being a nuisance, his only consolation is Cathy, his youngest daughter. Unfortunately, she can't stop her parents from abandoning Clodo at vacation time. Fabien, a young farmer, takes the dog in, despite the hostility of his family. Fabien is secretly in love with his childhood friend, Arlène, "la demoiselle du château", who has left to study in Paris. But she returns home after a disappointment. Their relationship resumes.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Clodo, a gentle mongrel dog, isn't having much luck. His shaggy appearance has earned him the name of hobo. Often scolded by his Parisian masters for being a nuisance, his only consolation is Cathy, his youngest daughter. Unfortunately, she can't stop her parents from abandoning Clodo at vacation time. Fabien, a young farmer, takes the dog in, despite the hostility of his family. Fabien is secretly in love with his childhood friend, Arlène, "la demoiselle du château", who has left to study in Paris. But she returns home after a disappointment. Their relationship resumes.

Rating:
Genre:Comedy, Drama
Directed By:Georges Clair
Written By:
In Theaters:
Box Office:

Runtime:75 minutes
Studio:

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik