Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

Julien Couturier and his wife Louise, a young couple from Auvergne who have come to Paris to try their luck for the first time in their lives, become the owners of the "Café du Cadran" ("Clockface Cafe"). On opening day, they meet the people who will become their clientele. It's a busy place, with regular customers served by two waiters, Jules and Victor. While Julien is comfortable in his role as boss, Louise doesn't quite get used to this urban world, where everything moves faster, especially human feelings. She often misses Marcenait, the village in Auvergne where she and her husband ran the "Café du Commerce". Mr. Luigi, a café customer and violinist who performs at the "Café de Paris", has undertaken Louise's cultural education. He teaches her how to dress and do her hair, while recounting his musical successes and travels, skilfully playing on his undeniable seductiveness...
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.