It is an unbearably hot Friday when the bank's air conditioning overheats and causes the computer system to go awry. Set in a typical, close-knit neighbourhood, Peter Pisa, the fish store owner, is having a torrid affair with Rita Decroot, a bank teller with big dreams. She is also the girlfriend of reigning local gangster, Toto. Clive Boomer is a budding stand-up comedian and bank teller who owes a small fortune to Toto. Clive turns to Peter for assistance, and Peter agrees to take over the debt. In a cruel twist of fate, Toto seeks repayment by assigning Peter the task of killing Rita for her illicit liaison. Unable to do the deed, Peter gets Clive to handle it insisting she be allowed the luxury of one last sumptuous evening out. However, Rita is no fool. And things don't always go according to plan. Sometimes life just ain't that funny.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
