A rare and welcome insight into Phil Collins' prodigious musical talent and the fascinating story of his first solo record. Collins first enjoyed international success as the drummer of Genesis and then as lead singer after Peter Gabriel left the band. In 1981, however, Face Value launched him as a solo artist and remains, in many ways, his most exciting and unusual music offering. Face Value was immediately a worldwide hit, entering the British charts at Number 1, spending almost six years in the Top 75, and selling in excess of 12 million copies. The album went on to make the U.S. Top 10, earning a gold record. This documentary includes several previously unseen performances, as well as rare home movies, unique photographs and documents from Phil's own private archives, and insights into the music from an eclectic range of musicians who worked on the album.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
