Quarantined with ‘The Platform’ a Horror/Thriller that Somewhat Parallels the Pandemic
It’s dark, uncomfortable, and there are things that don’t make sense.

Formed in 1975 from the remnants of a British blues band and a California soft-rock duo, Fleetwood Mac evolved into one of the most successful pop-rock groups of the 1970s--a reputation no doubt cemented by their 1977 masterpiece RUMOURS. One of the bestselling albums of all time, RUMOURS' impeccable songwriting, lush vocal harmonies, and polished production stand as testament to the band's cohesive powers--a fact made even more remarkable by the romantic tensions roiling amongst its members at the time (Lindsey Buckingham and Stevie Nicks were ending their long-term romantic relationship; Christine and John McVie were getting a divorce). This episode of the CLASSIC ALBUMS series recounts the making of Fleetwood Mac's career-making opus through interviews, behind-the-scenes footage, and live performances of timeless gems such as "Don't Stop," "Dreams,""Go Your Own Way," "You Make Loving Fun," "The Chain," and more.
It’s dark, uncomfortable, and there are things that don’t make sense.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.