'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Clarkson: No Limits
Jeremy Clarkson takes driving lessons to new and uncharted heights. You'll learn how to stay in control when going sideways with smoke pouring off the tyres. How to stop faster than you ever thought possible. How to get in the G-zone twhile you're cornering. To demonstrate Jeremy uses the Lamborghini Murcielago, the new TVR Tuscan R, the Mitsubishi Evoll, the Bentley Arnage and many more.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Jeremy Clarkson takes driving lessons to new and uncharted heights. You'll learn how to stay in control when going sideways with smoke pouring off the tyres. How to stop faster than you ever thought possible. How to get in the G-zone twhile you're cornering. To demonstrate Jeremy uses the Lamborghini Murcielago, the new TVR Tuscan R, the Mitsubishi Evoll, the Bentley Arnage and many more.
Rating:
Genre:Comedy, Documentary
Written By:Jeremy Clarkson
In Theaters:
Box Office:
Runtime:53 minutes
Studio:On the Box Productions
Cast
Articles You May Like
The New ‘Old’ Hollywood that is ‘Babylon’
‘Babylon’ is an exhilarating journey one has to brace themselves for
Samantha Mitchell’s “RSVP” Incluvie Film Fest Review
“There’s always something you can do…to make people feel like they’re welcome”
Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
‘Still’: An Interesting Premise With Poor Execution
Overall this movie was an easy watch, but by no means a worthwhile watch.
Martin Scorsese's 'Kundun' is a Must Watch for Dharma Day
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.