The Relentless Victimization of Marilyn Monroe in "Blonde"
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.

What started as a way for some very business-savvy women innkeepers to extend the tourist season in P-Town (Provincetown, Massachusetts) in the fall in 1984 has now grown from a Women's Weekend into one of the premiere lesbian destinations known as Women’s Week. Without the luxury of social media or even email, the women hand-wrote letters to all their past guests, inviting them to come enjoy the beautiful autumn scenery—with a clambake and some local entertainment thrown in. Director Andrea Meyerson takes viewers on a fascinating 30-year journey, through archival footage and photos, interviews with celebrities and founders, and current events and performances, offering a historical—and hysterical—look at what a handful of innovative women can accomplish.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
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