Naoto Tsugimura, head of customer service at a major food and beverage company, receives a strange complaint from an angry caller who claims to have found insects in his mineral water. Tsugimura is unable to appease him, and soon finds that this mysterious claimer is beginning to infiltrate his life, harassing and stalking him, but always out of Tsugimura's sight. Nothing Tsugimura does - apologizing, fighting back - seems to make any difference. Meanwhile the claimer's rage continues to escalate, until finally reaching a shocking conclusion.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
This Nickelodeon live-action TV series features strong Black representation.
Despite this genre not being a new one, The Novice offers a fresh perspective with its study of performance anxiety
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
