Joyfully Chaotic, 'Why Don't You Play in Hell?' is a Must-See
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.

The game of paintball is fluid; the format, the gear, and the players are all in a state of dynamic change. Here today, gone the next, with nothing but legend and myth left to resonate their existence. But some players explode on the scene with lives so vibrant, moves so fluid, wins so dramatic, personalities so strong, and stories so complex, that their movements in our world demand we mark their time in the game with something profound. Enter Monkey with a Gun and the Cereal Killerz series, which exists to display the very best players at the height of their game and athletic prowess, using film techniques and angles unique to the paintball world. CK2 raises the bar yet again with the addition of ultra high-speed cameras, initially used to film missile launches, creating an opportunity to see the sport and the best athletes at 500 frames per second. We also listen into the player's thoughts on their lives, their legacy, their relationship to the sport.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
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When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.