Cheaper By the Dozen: a 2022 Family-Comedy Remake
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.

The flavour of the popular King of Minami series , starring Riki Takeuchi, is back after 15 years. A new story of a man who judges evil not with violence but with the law in order to achieve retribution. Six months after serving a nine-year prison sentence for murder, a man appears in Minami, Osaka . He is joined by like-minded lawyers Sugiyama and private detective Shimizu, who cut their way into a fraudulent medical trial at a university hospital. Eventually, the dark side of the hospital's management comes to light...
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
The Last Duel is about rape. Although the film delves into rape culture in medieval Europe, there are many striking similarities to modern rape culture.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.